Fear of crying
young man in a white lab coat, probably an intern, came in and sat in a chair. He didn’t seem to notice me; his eyes went directly to the fish circling slowly in the water. Whether it was perception or projection, I will never know, but I sensed that the young man was deeply sad. He sat and watched the fish for what seemed like a very long time. His shoulders drooped; I was afraid he was about to break one of those unwritten rules. I watched him intently, just as he was watching the fish, thinking about how odd it was to see a doctor looking hopeless. In my experience the staff of the hospital were all business, some did their jobs quickly, some were slow to react, some were comforting and good about explaining things but they never ever showed their own feelings.
How can I keep from singing!
Trusting My Gut Feeling
In late January of 2000 I was hospitalized for an extended period of time with a perforated large intestine. Diverticulitis had silently crept up without a warning. My internal organs were contaminated with infectious matter. Not a pretty thought. The doctor walked into my hospital room and grimly declared that the bleeding had been stopped, but without surgery to implant a temporary colostomy, the infection would not go away.
I know that given enough clotting factor for a long enough time, I can survive surgery. There was an inner voice, however, that disagreed with the gloomy predictions of my doctor.
“I’ll be fine, just let me rest.”
“No you won’t,” the doctor continued to argue.
“Look,” I said, “it’s my body.”
With that, he left with what sounded like a threat, “I’ll send the surgeon in to talk with you.”
The conversation with the surgeon didn’t persuade me to change my mind. In the coming days antibiotics, nourishment and clotting factor were all dripped into my veins. Each morning, when I awoke I would meditate; focusing on my breathing and listening to my body.
The surgeon would appear at my door. He would nod his head in acknowledgement, and I would return his greeting with a wave.
“Vulture looking for fresh carrion,” I commented to the nurse who had just come to switch my saline drip to the antibiotic.
She laughed. “He’s at the age where he needs a challenge,” she whispered. “You know most cases look routine to him. You don’t.”
“Too bad I have to disappoint him.”
My hematologist wasn’t as subtle as the surgeon. He stood at my bedside every afternoon and lectured me. It was clear that he was genuinely worried that I had made a fatal mistake. A friend called to tell me she had refused surgery at first for diverticulitis. She had several reoccurrences until she finally took her doctor’s recommendation. Since the surgery, she hadn’t had one more episode. My bravado shrank day by day and I began to doubt my decision.
Nevertheless, I continued to feel better and better. I noticed that the surgeon was looking at me with less interest each morning. I imagined that his nod was wistful.
It’s really hard for me to know now if I had in fact been so in tune with my body that I sensed something the doctors could not discern. Now more than a decade later all I know is that I recovered without the surgery and never had a relapse of the diverticulitis.
Symphony
Two tickets to the performance of the Tallahassee Symphony Orchestra at the Ruby Diamond auditorium in Tallahassee last weekend was a gift. Otherwise, I confess I probably would not have gone. The newly refurbished auditorium now glitters with ornate trim. It is what people see, and what they talk about. Appearances don’t impress me.
The season ticket holders are given parking spaces in a lot across the street, while the rest park in the lot at the foot of the hill. It was raining hard when we arrived and my arthritic knees and ankles cried out with every step. By the time we reached the front door I glanced at the steep granite steps and began to grumble under my breath. No sign signified an accessible entrance. One step at a time I climbed, grasping onto the railing and muttering under my breath. The crowd of soggy music aficionados behind me was growing impatient with my slow progress. Reaching the top and inside at last I faced another set of stairs, this one leading down to the lobby. These were marble stairs that had become slippery from wet shoes. I turned to see a woman sitting in a wheelchair shaking her head. I wondered how she had managed to get this far. She seemed frozen by the choices. There must have been an accessible entrance, I thought, just no way to figure out in the dark and pouring rain how to locate it.
My post-menopausal testosterone load got the better of me. I felt enraged and indignant. I wanted to shout at who ever would listen that music should always be accessible.
It has been years since I attended a symphony concert. It is hard to compete with the experience of the symphony I had as a child. Mom would pack a picnic basket, Dad would drive a car-load of children from the neighborhood and off we would go to Tanglewood for the Saturday rehearsal. The woodwinds harmonized with the notes of the thrushes and sparrows. If we children tired of sitting on the blanket we could wander the lawn while listening to Beethoven, Mozart, Tchaikovsky, or Mahler. People, who found the sunlight too strong or the grass too difficult to navigate, took shelter under the umbrella roof. It was magical and it felt to me that the trees were singing to the clouds.
The music of the Tallahassee Symphony Orchestra had a magic of its own too. As the musicians simultaneously hit each note with precision and passion, I was overcome. In the third section of Brahms’ Piano Concerto No. 2 in B-flat Major, Op. 83 I was actually sniffling back tears as the piano and the cello entered into a tender dialog.
If only we humans could be as good at listening to each other and responding.





